Exhibit

Stations is a site-responsive exhibition that adapts to different spaces, from traditional galleries to outdoor landscapes, public institutions, and community gatherings. It is a meditation on impermanence, presence, and the human impulse to impose meaning on disruption.

At its core, Stations consists of poetry inscribed directly onto the surfaces of a destroyed forest—words written on fallen trees, debris, and the remnants of upheaval. These inscriptions have been documented through photography and sound, creating a layered experience of text, image, and audio. The work is designed to evolve, with materials that weather and fade over time, reinforcing its central themes of transience and attention.

Each installation of Stations responds to its environment. It has taken form as:

• Framed visual-text works displayed in gallery and museum settings.

• Projected installations that scale to fit architectural spaces.

• Outdoor and site-specific exhibits where the work is placed in conversation with its surroundings.

• Interactive public engagements, where the themes of the project extend into live participation and dialogue.

• Digital Exhibitions, where the work is adapted for online or screen-based experiences, allowing for broader engagement and access.

Stations has been exhibited in both formal and informal settings, taking shape in collaboration with arts organizations, academic institutions, and public programs. As the project expands, digital presentations of the work are becoming increasingly central, allowing it to be shared in new formats, including virtual exhibitions, live-streamed installations, and hybrid presentations incorporating audience interaction.

Rather than being a static exhibition, Stations is an ongoing process. It does not attempt to preserve, it acknowledges impermanence. It does not seek resolution—it offers presence.

For inquiries about bringing Stations to a new space, physically or digitally, please visit the Contact page.